In the late 1970s, when Lonnie G. Bunch III had his first job at the Smithsonian’s National Air and Space Museum, veterans of the Tuskegee Airmen, the all-black squadron, accused the museum of playing down their contributions during World War II. In response, the museum asked some of the African-Americans on staff to allow their faces to be used on mannequins, increasing the “black presence” in its exhibits.
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